José María Sánchez-Silva
(José María Sánchez-Silva and García-Morales; Madrid, 1911-2002) Spanish writer.He studied journalism at the El Debate School, linked to the Catholic Church, and soon became one of the young journalists who, during the 1940s, became champions of the Falangist ideology and the interests of the ecclesiastical hierarchy..His signature began to reach a certain resonance among the pages of the newspaper Arriba, the visible head of the official press, in which he was to hold the post of deputy director in 1949.He also displayed intense journalistic activity in other media related to his conservative ideology , like the Catholic newspaper Ya and the monarchic ABC.
José María Sánchez-Silva
After a series of narratives that went unnoticed, in 1953 he published Marcelino Pan and Vino , a novel that tells the story of an orphan boy who, taken in and raised by a community of friars, establishes a particular friendship relationship with an image of Christ crucified, whom he helps several times with bread and wine (hence the title of the work).The little orphan's greatest desire is to meet his mother, a miracle that the Christ of the convent will make possible in gratitude for Marcelino's kindness and generosity.The homonymous film version, shot in 1954 by the Hungarian director Ladislao Vajda, brought great popularity to a work much to the liking of the authorities of the Francisco Franco regime.
The rest of his work ran in this way: Minor stories by Marcelino Pan y Vino (1953), Primavera de papel (1953), Histories of my street (1954), Fable of the donkey Non (1956) and Tres novelas y pico (1958).Other stories of his that enjoyed a certain prestige in his time are Adelaida ; Goodbye, Josefina ; Adventure in Heaven by Marcelino Pan y Vino ; The chihuahua that bit Hernán Cortés ; Mouse and rabbit stuff ; The great journey of Marcelino Pan y Vino ; Jesus growing ; The other music ; and Three animals are ; as well as those dedicated at the beginning of the 1970s to Ladis, a new character with whom, without leaving the children's genre, he tried to print a certain modernity to his work ( Ladis and the FBI ; Ladis in the grasslands ; Ladis in orbit ; Ladis, a great little boy ; Ladis goes west ; Ladis's Second Summer ).
For his narrative production he was distinguished with awards that were added to the awards that marked his journalistic career, such as the National Journalism or the Mariano de Cavia; These literary recognitions include the National Prize for Literature and the Andersen Gold Medal (the latter, destined to the promotion of children's and young people's literature).
José María Sánchez-Silva was also the author of biographical sketches: Juan de Arco (1944) and, above all, Franco..., that man (1964), a commendable presentation of the dictator, whom Sánchez-Silva tried to give an endearing human profile, focusing the biographical lens on his family and everyday life.Later he wrote another approach to the figure of the military man ( Intimate Franco.His family history ), as well as a fictionalized biography of Jesus Christ, The adolescence of Jesus never told (1997).Among his non-fictional production, we must also find a travel book entitled A redneck in London (1952).
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