Skip to main content

Bruno walter Biography

Bruno Walter

(Berlin, 1876-Beverly Hills, 1962) German conductor and composer, nationalized American.Bruno Walter studied music at the Stern Conservatory in his hometown with the intention of undertaking a career as a pianist, an instrument with which he debuted as a soloist at the age of thirteen playing the Piano Concerto in E flat de Moscheles with the Berlin Philharmonic Orchestra.But it was when listening to Hans von Bulow conduct that he decided to focus on conducting.In 1894, at the age of eighteen, he made his debut with the opera Der Waffenschmied by Gustav Lortzing leading the orchestra at the Cologne Opera.

Bruno Walter

Until 1896 he remained in the orchestra as a trainee conductor, and that same year he moved to Hamburg, where he received lessons from Gustav Mahler.His relationship with Mahler was decisive for his professional career, because of the teachings he received from Mahler and because it was the Austrian composer who provided him with a job as a conductor in Breslau.Upon occupying this position, Walter adopted what would be his stage name from that moment on.

In 1887 he conducted in Pressburg and the following year in Riga.In the Latvian capital he met his future wife, the soprano Elsa Kornek.The arrival of the new century led him to direct in Berlin and later, in 1901, in Vienna.There he was assistant to his teacher Mahler and director of the Vienna Opera (Hofoper), where he remained until 1912.Walter combined his position in Vienna with numerous concerts in Czechoslovakia, Italy, Germany and Great Britain.In the latter country he had great success directing Tristan and Isolde at London's Covent Garden.

After Mahler's death, Walter was commissioned to premiere two of his works: The Song of the Earth in 1911 and the Ninth Symphony at next year.In 1913 he settled in Munich, where he remained for a decade when he was appointed General Director of Music for Bavaria, replacing Félix Mottl.His Berlin stage served to give him international prestige, especially for his performances of operas by Mozart and Wagner.He combined this position with that of guest conductor of the Berlin Philharmonic Orchestra, at the head of which he premiered works by contemporary composers such as the British Ethel Smyth.

In 1923 he returned to Vienna, already with Austrian nationality that It had been provided to him in 1911.That same year he traveled to New York for the first time, where he made his debut with the New York Symphony Orchestra.From that moment and for several years he was traveling to the United States to perform concert tours in Minneapolis, Cleveland, Los Angeles and New York.

In 1925 he settled again in Berlin after being appointed general director of music at the State Opera of that city, and in the summer of that same year he attended the Salzburg Festival for the first time, where he obtained a great success with his renditions of Mozart.He combined these activities with conducting the German opera repertoire at London's Covent Garden between 1924 and 1931, and with some concerts leading the London Symphony Orchestra.

Sergei Rachmaninov and Bruno Walter

In 1926, during a visit to Leningrad, he met the then young Dmitri Shostakovich and showed great interest in his Symphony No.1 , to the point of releasing it later in Berlin That same year, Walter began working for the newly opened Charlottenburg Opera House (Berlin), and thanks to his presence and that of other leading directors such as Wilhelm Furtwängler and Otto Klemperer, the theater gained international renown.

In 1929, after some friction with the theater's management, Walter decided to resign and go to Leipzig, where he led the Gewandhaus theater orchestra.Due to the rise and rise to power of Nazism, he soon had to leave this position, which was then held by Richard Strauss.Walter continued his career in London and Vienna.In 1935 he obtained the position of principal conductor of the Philharmonic Orchestra of the Austrian capital, but the German occupation forced him to flee that country in the direction of France.

Despite the fact that the French government granted him French nationality in 1940, Walter's final destination was United States, where he remained until the date of his death.In 1946 he became a US citizen and in that country he replaced Klemperer at the head of the Los Angeles Philharmonic Orchestra, in addition to getting on the podium of other groups such as the New York Philharmonic, the Columbia Symphony Orchestra or the Minneapolis Symphony Orchestra.His debut at the New York Metropolitan took place in 1941 with Fidelio , by Beethoven, an opera that he also conducted at the Vienna Staatsoper at the end of World War II.In 1947 he participated in the first edition of the Edinburgh Festival directing in The Song of the Earth by Mahler the great lyric star Kathleen Ferrier.The 1950s took him to Salzburg and Vienna.In the latter city he conducted Mahler's Symphony No.4 in 1960 on the occasion of the composer's centenary.The last two years of his life were spent at his residence in Los Angeles, where he died in 1962.

As a composer he premiered two symphonies and some chamber music, but he soon abandoned musical creation to dedicate himself fully to music.conducting orchestras.His performances were characterized by their lyricism and warmth.The technique took a second place since, in the words of Walter himself, "concentrating on technique one does not arrive at precision".His favorite repertoire was that of the Central European music masters, whose music he approached with great respect.

As with many other musicians of his time, his interpretations of classical music did not take into account historicist criteria too much, since Walter used large orchestras for the repertoire of the 18th century.His way of conducting was very different from that of other masters of the baton such as Arturo Toscanini or Wilhelm Furtwängler, since he did not have the fieryness of the first or the facility for improvisation of the second.Bruno Walter always tried to achieve fluid communication with his musicians, avoiding at all times the dictatorial gestures that characterized other conductors.

Comments

Popular posts from this blog

Francisco de Figueroa Biography

Francisco de Figueroa (Alcalá de Henares, 1536- id ., 1617?) Spanish poet.He traveled through Italy and managed to assimilate the language and spirit of Italian poetry.Soldier and courtier, he carried out some diplomatic missions.Shortly before his death, he condemned his poetic work to the flames, much of which was collected by Luis Tribaldos de Toledo, who published it in Lisbon (1625).His poetry, focused mainly on love passion, draws on Petrarca and Garcilaso.He is the author of songs, elegies, glosses and sonnets, in which he reaches his most intense lyrical quality. Francisco de Figueroa lived for some time in Rome, Bologna, Siena and, probably, Naples, where he assimilated the Italian language and culture.After intervening in various diplomatic and military missions in Italy in the service of Carlos V and Felipe II, he returned to his hometown to marry María de Vargas (1575).In 1579 he traveled to Flanders with Carlos de Aragón, 1st Duke of Terranova; He then returned to Sp...

Enrique Guitart Biography

Enrique Guitart (Barcelona, ​​1909-1999) Spanish theater and film actor.Son of the actors Enrique Guitart and Emilia Matas, the family atmosphere led him to make his debut on the scene in 1913, while still a child.As soon as he grew up enough, he did not hesitate to dedicate himself to the theater, a framework in which he developed a long career full of successes, among which his time in the Spanish Theater as the first actor stands out. The cinema claimed him to late twenties.He intervened, in his debut, in La moza del cantar (1928), by José Amich "Amichatis", to continue with El Señor Esteve (1929), but he failed to maintain an annual film continuity.Some of the films in which he participated were Mom's Boyfriend (1933), by Florián Rey, and The Dancer and the Worker (1936), by Luis Marquina. After the Civil War ended, it became part of the credits of films such as His brother and him (1941) and Crossed lives (1942), by Luis Marquina; Confused lives ...

Elijah Querejeta Biography

Elías Querejeta (Elías Querejeta Gárate; Hernani, 1930-Madrid, 2013) Spanish film producer.He studied chemistry and law, while at the same time he was part of the Real Sociedad de San Sebastián football team, a career he abandoned at the age of 24.He was a regular at the screenings held by the city's film clubs, where he met other young people-Víctor Erice, Antonio Eceiza-who would study at the Official Film School of Madrid. Elías Querejeta In 1961 he founded his first company, Laponia Films, at the same time that he collaborated with other production companies on his first films.After directing several short films, in 1964 he decided to found Elías Querejeta P.C.From his first films, he defined the style he wanted to print in his works, intervening in almost all of them as co-screenwriter, while gathering around him a group of professionals who would guarantee the finish of each film (Luis Cuadrado and Teo Escamilla as directors photography; Primitivo Álvaro, in the produc...

Jorge Bessières Biography

Jorge Bessières (?, 1780-Molina de Aragón, 1825) French adventurer.In the War of Independence he deserted the French army and joined the Spanish.In 1822 he participated in the republican uprising in Barcelona, ​​but soon he went over to the absolutist side and was appointed field marshal.In 1825 he led an ultra-realistic uprising.He was shot.

Alvaro Mutis Biography

Álvaro Mutis (Álvaro Mutis Jaramillo; Bogotá, Colombia, 1923-Mexico City, 2013) Colombian writer and poet.Author noted for the verbal richness of his production and a characteristic combination of lyrical and narrative, he participated in the early days of the movement of poets grouped around the magazine Mito.Influenced by Pablo Neruda, Octavio Paz, Saint-John Perse and Walt Whitman, he used poetry as a means of knowledge to access unknown universes, to new worlds where love and a good death were possible.His alter ego is Maqroll, a shadowy yet innocent adventurer who sings of the fragile human condition.His work was recognized with such prestigious awards as the Prince of Asturias (1997) and the Cervantes Prize (2001). Álvaro Mutis Son of international lawyer Santiago Mutis Dávila and Carolina Jaramillo, in 1925 his father entered the diplomatic service and the family had to move to Brussels, where the head of the family had been appointed minister counselor.In Belgium his bro...

Count Don Julián Biography

Count Don Julián (Also called Yulián, Olbán, Urbán or Urbano; 7th-8th centuries) Visigoth nobleman who, according to legend, facilitated the Muslim invasion of the Iberian Peninsula with his betrayal.His real identity remains shrouded in mystery, as it is not even known whether he was Gothic, Byzantine or Berber.It seems that he was a trusted man of Vitiza (penultimate of the goth kings), whose children he welcomed when he died, in his dominions of the North African province of Tingitania (710). Later, and before the pressure of the Muslims on the square of Ceuta, it seems that he reached an understanding with the leaders of these, Musa ibn Nusair and Tariq ben Ziyad; In this collaboration, Don Julián's membership of the «Vitizano party» could have played an important role, which aspired to put Vitiza's sons on the Visigoth throne instead of the newly elected Don Rodrigo (this party would represent the option of the Hispanic «collaborationist »With the Muslim domination, a...

Zacharias Janssen Biography

Zacharias Janssen (The Hague, 1588-Amsterdam, 1628 or 1631) Flemish optician who has been credited with the invention of the microscope and telescope.Zacharias Janssen was the son of an optician with his own workshop (named according to the sources Hans, Jan, Johan or Johannides Janssen) who died when Zacharias was four years old.His mother instructed him in the tasks of the family workshop, which the young Zacharias would direct until 1624. Zacharias Janssen Contrary to the Spanish rule over the Netherlands, in the workshop Zacharias Janssen carried out all kinds of illicit activities, such as counterfeiting of currency, which earned him two convictions from the authorities of the Empire; One of them went to death, but it would be commuted to him in 1618.When he was released from prison, impoverished, he had to declare the workshop bankrupt and saw his assets auctioned.

Asdrúbal Giscón Biography

Asdrúbal Giscón (ss.II-III) Carthaginian military.Son of Giscón.In the Iberian peninsula, he helped the barquidas in their fights with the Romans.In 212 he defeated Publio Escipión near Cástulo (Cazlona).Defeated in Africa by Publius Cornelius Scipio (203), he was removed from command.

The Holy Alliance and the Congress of Vienna

It is time to go a little deeper into the Holy Alliance and the Congress of Vienna .Want to know what were the objectives of the Vienna Congress of 1815? What is the Holy Alliance? What were the most important points of the Congress of Vienna? What are the countries that make up the Holy Alliance? What were the most relevant points of the Congress of Vienna and the Holy Alliance? Well, if you want to discover all this, do not miss all this information in About History.Coge pencil and paper that we started already. Article index What is the Holy Alliance? Many of you will be wondering what the Holy Alliance is, for what goes the explanation.In September 1815, after the end of the Vienna Congress, the Holy Alliance meant the signing of a pact through the initiative of the Russian Tsar Alexander I, Francisco I of Austria and Frederick William III of Prussia.The Vienna Congress took place in the Austrian capital and said international meeting was held after the defeat of Napoleon ...

Giuseppe Valeriani or Valeriano Biography

Giuseppe Valeriani or Valeriano (LÁquila, 1542-Naples, 1596) Italian painter and architect.After professing as a Jesuit, he became one of the official architects of the Society, for which he built buildings in Rome, Naples, Genoa and Munich.His pictorial work focused on the spirit of the Counter-Reformation.