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Gian Francesco Malipiero Biography

Gian Francesco Malipiero

(Venice, 1882-1973) Italian composer.Gian Francesco Malipiero was trained in the cities of Vienna and Berlin, where he was a student of Max Bruch.During a stay in Paris, after meeting Maurice Ravel and listening to Igor Stravinski, he destroyed his first compositions.These influences, together with the study of ancient Italian music, modified his style.His first works, marked by the impressionism of Claude Debussy, can be understood as a reaction against German romanticism and Italian realism: the three series of Impressions of reality ( Impressioni del vero , 1911-1921) and his seven Symphonies (1937-1948), among other pieces.

Gian Francesco Malipiero

Progressively, Malipiero was oriented towards the search for his most personal expression in the multiplication of musical ideas, which follow one another as a chain of episodes linked by an affinity, in the context of a freedom of total rhythm.The author is considered one of the great names in contemporary Italian music.His teaching activity left its mark on the Conservatory of his hometown, which he directed between 1939 and 1952, and where he had Bruno Maderna and Luigi Nono as students.

Vocal music constitutes an important part of his work.One of the most outstanding characteristics of the composer in this field is the very marked accentuation in the stressed syllable, inherited from the Gregorian chant.They highlight the Missa pro mortuis (1938), the Eighth dialogue , The death of Socrates ( La morte di Socrate , 1957), Carnival and Lent performance and festival ( Rappresentazione e Festa di Carnovale e della Quaresima , 1962) and numerous operas: Night Tournament ( Night Tournament , 1931), Julius Caesar ( Giulio Cesare , 1936), Antony and Cleopatra ( Antonio e Cleopatra , 1939) and Don Tartuffo bacchettone (1966); for the story of Cleopatra he was based on Shakespeare's Antony and Cleopatra , one of the great tragedies of the immortal playwright.

As in his instrumental music, the content of his aesthetic options it forces him to an incessant renewal of the creative imagination of rhythms and melodies.As a musicologist, Malipiero's production is remarkable, and it highlights the publication, in 16 volumes (1926-1942), of Monteverdi's complete works, as well as a modern edition of Vivaldi's instrumental works.Also noteworthy are Pauses of silence and Quartets , the latter of which includes, among others, Respects and outrages , Coplas and ballads and Letters in the manner of madrigalists .

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