Agustín Querol
(Tortosa, 1860-Madrid, 1909) Spanish sculptor.Of humble origins, he was forced to combine his first artistic studies with work in a bakery in Tortosa.In Barcelona, she was assistant to Domingo Talarn and the Vallmitjana and studied at the Lonja school.He installed his workshop in a large premises in Sarriá.
In 1884 he left for Rome and returned three years later.His triumphant stage then began, protected by Antonio Cánovas del Castillo, who, often in the most arbitrary and unfair way, imposed Querol over any other competitor.This is how he won the competition to decorate the pediment of the National Library of Madrid with sculptures.
Frontón de la Biblioteca Nacional, by Agustín Querol
His style is characterized by a decorative overload of doubtful efficacy.In general, Querol's prestige contributed to spreading and affirming the adocented, ornate and presumptuous taste, a typical example of Kitsch , which prevailed in Spanish sculpture from the Restoration period.
Among the monuments that came out of his workshop are those of Claudio Moyano and Quevedo and the sepulcher of Cánovas del Castillo (basilica of Atocha), in Madrid; those of Méndez Vigo and Elduayen, in Vigo; Widow of Epalza, in Bilbao; by Frederic Soler (Pitarra), in Barcelona; Moret, in Cádiz; Legazpi and Urdaneta, in Manila; Garibaldi, in Montevideo; Urquiza, in Paraná; and to Independendia, in Guayaquil.
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