Giulietta Masina Biography

Giulietta Masina

(San Giorgio de Piano, 1921-Rome, 1994) Italian film actress.After studying Philosophy and Letters at the University of Rome, she began working on the radio as an actress in serials written by Federico Fellini, her husband since 1943.She made her film debut in one of the most emblematic films of cinematographic Neorealism, Paisa (1946), by Roberto Rossellini.

Although she appeared in films signed by Alberto Lattuada or Luigi Comencini, her career achieved considerable prestige working on a series of her husband's films.Although some of her early interventions were not particularly notable-as in Variety Lights (1951)-others allowed her to be admired by viewers around the world.

In the mid-fifties she got a memorable performance in La strada (1954), in the role of Gelsomina.The set of characters that parade through the film, the sentimental relationship-between spiritual and masochistic-that Gelsomina maintains with Zampano, a role that fell to Anthony Quinn, the critical, pathetic tone of La Strada , stood out more the interpretation of La Masina, a sweet woman, in love, submissive, who perfectly suited the actress's physique.The tone of this character will allow him to develop with great strength and integrity the protagonist of The nights of Cabiria (1956), by Fellini.

Another of the crucial moments in his career It was produced when she shot under the command of her husband Giulietta de los espíritus (1965), a film that marks a turning point in the career of the Italian director and cinema.The ideological is hidden for the benefit of aesthetics, suggestion, and the captivating power of dazzling images.She also worked on her last major production, Ginger and Fred (1986), where Fellini took the opportunity to give a particular vision of the world of television.As protagonists she had her wife and Marcello Mastroianni in an imitation of what Ginger Rogers and Fred Astaire were for the classic musical comedy.At the age of sixty-six, the actress contributed to the twilight and acid tone of the plot.

Although the prestige came from the works with her husband and the films made in Italy, Giulietta Masina worked with directors from different nationalities.Of these collaborations, it is worth mentioning his participation in Landrú (1963), by Claude Chabrol, on the life of the famous French murderer, or the work he did in La loca de Chaillot ( 1969), by Bryan Forbes, a film that marked the beginning of a long hiatus in his career, as he did not shoot again until 1985, when, under the direction of Juraj Jakubisko, he took part in Perinbaba .Masina's influence on her husband has been remarkable.A woman of staunch Catholicism, she made some of her husband's ideas pass through this sieve and, possibly, aspects of his cinematography would not be explained without the presence of his wife.

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