Henri Cartier-Bresson Biography

Henri Cartier-Bresson

(Chanteloup-en-Brie, 1908-Montjustin, 2004) French photographer.After a first stage as a draftsman and painter, from 1930 he began a decisive turn towards photography through his publications in Vu magazine.

In 1937 he filmed Victoire de la vie , a documentary film about republican Spain; from then on he specialized in photographic reporting, being one of the first to use the 35mm camera.During the Second World War he was interned in various German prison camps.He managed to escape at last and reach Paris, where he joined the French Resistance.He made photographic reports on the German occupation and withdrawal from France.

In 1945 he directed the documentary Le retour for the United States war information office, and two years later he organized an exhibition of his photographs at the Museum of Modern Art in New York (MOMA).That same year he founded with Robert Capa, David Seymour and other photographers the international cooperative agency Magnum, under whose auspices he toured different countries of the East.His reporting on the death of Gandhi is world famous, and no less well known were his numerous portraits of personalities from all walks of life, from writers and artists such as Albert Camus, Pablo Neruda, Picasso and Matisse to political leaders such as Martin Luther King, Fidel Castro and Che Guevara, including celebrities like Coco Chanel and Marilyn Monroe.

Brussels (1932) and Calle Cuauhtemocztin, México (1935)

His photographs, collected in different collections ( The decisive moment , The World of Henri Cartier-Bresson ), are defined by the rigor of their composition, the juxtaposition of elements and by an aesthetic sense of the composition derived from his experience in the plastic arts.

By theorizing about photography, he exalted what he called the "decisive moment", which the photographer must discover on the spot and in which he captures that unique and significant moment, when the scene acquires its maximum meaning expressive.With regard to his technique, he was based on positivizing complete negatives, without frames or cutouts.He exhibited in New York (1946 and 1967), London (1955), Paris (1967 and 1969) and Madrid (1983).As of 1973 he devoted himself to drawing with preference.

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