Jorge Urrutia Blondel
(La Serena 1905-1981) Chilean composer.He combined his law studies at the University of Chile with musicals, being a disciple of Andrés Steinfort, Raúl Hügel and Pedro Humberto Allende, from whom he received his first compositional training.
Another of his first teachers was Domingo Santa Cruz, promoter and animator of the Bach Society, in which Jorge Urrutia Blondel actively participated from 1924.In 1928 he was appointed secretary of the National Conservatory.That same year he received a scholarship that allowed him to further studies in Paris, where he was a disciple of Paul Dukas, Vincent d'Indy and Nadia Boulanger.He then studied in Berlin with Hans Mersmann and Paul Hindemith.
Back in Chile in 1931, he was a professor of composition and harmony at the National Conservatory.Later he belonged to the Institute of Musical Research and was appointed secretary of the Faculty of Musical Arts of the University of Chile.
His work, initially attached to the nationalist movement, later incorporated characteristic features of post-impressionism and neoclassicism.He cultivated various genres: pastorals, songs, pieces for piano, ballet and chamber music.
His compositions include the suites The Devil's Guitar (1942) and Music for a Tale of Yesteryear (1948), the Three Chilean suggestions for piano (1924-1926) and the Pastoral de Alhué for orchestra (1937).His musicological research focused on the folkloric tradition of the north of the country.He was co-author, along with Samuel Claro Valdés, of a History of music in Chile .
Comments
Post a Comment