Skip to main content

Josep de Togores Biography

Josep de Togores

(Josep de Togores i Llach; Cerdanyola, 1893-Barcelona, ​​1970) Spanish painter.After a first realistic stage, with a predominance of the nude, he drifted towards a style with a religious theme.He also worked on mural painting and book illustration.

Born into a wealthy family and with intellectual and artistic concerns, he soon revealed a great sensitivity for drawing.At thirteen years of age, he became deaf due to meningitis.In those years he was a drawing student of Joan Llaverias, who advised the father to let his son's artistic potential develop to the maximum.In 1906, father and son traveled to Paris and then to Belgium in the hope of curing the boy's deafness.

A year later, stimulated by the impression made on him by the Monet painting he saw at the International Exhibition in Barcelona, ​​Josep de Togores began to paint his first oil paintings.After a period of apprenticeship with Félix Mestres in Barcelona, ​​he painted some worthy paintings, the best known of which is El loco de Cerdanyola (1909), shown in the Parés room in Barcelona before it was awarded at the Universal Exhibition in Brussels (Belgium) and acquired by the Belgian Government.

Portrait of Madame Claire (1922), by Josep de Togores

With this work he opened what has been considered his impressionist stage.In 1911 he won a third medal at the Barcelona Fine Arts Exhibition.Two years later, encouraged by his family, he went to Madrid for a few months to immerse himself in the painting of the Prado Museum, and that same year he returned to Paris with a grant from the Barcelona City Council.In the French capital he discovered painters who were to be decisive in the directions of aesthetic taste, mainly Cézanne and Matisse, from whom he drew fundamental lessons of classicism.With the outbreak of the First World War (1914-1918), Togores decided to leave Paris and return to Barcelona.

It was then when, in contact with some representatives of the Catalan pictorial Noucentisme (Sunyer, Nogués, Casanovas or JM Junoy) and with the lesson learned in France, he began to abandon the impressionist procedures to pay more attention to the line, volume and materiality of objects.Once the drama of the death of his mother (1915) and the bankruptcy of the family fortune had been overcome, the art of Josep de Togores began to give its best.

In 1919 he settled again in the city of the Seine, this time for eleven years.There he frequented Picasso, Gris, Utrillo, Modigliani and other artists, although he remained in a precarious situation until he got a contract with the gallery owner Kahnweiler, thanks to which he exhibited successfully in various European capitals.In the catalog of his first solo exhibition (1922), Max Jacob spoke of "cubistic vigor", "linear composition", "constructive analyst", etc., characteristics that related his art to the new German objectivity and to the current Italian valori plastici .

Sleeping children (1927), by Josep de Togores

Some excellent paintings from the 1920s are the portrait by Aleix de Togores , Two nudes and Bathers , as well as numerous exceptionally crafted female nudes, in whose formal sense classical Picassian academicism is mixed and the close carnal vitality of the best Sunyer.In 1926 he held a triumphant exhibition in Barcelona, ​​but the city's official museums still considered his art too scandalous.Between 1928 and 1930 his work changed: bodies were derealized and transformed into almost abstract figures, which gradually drifted towards a kind of anthropomorphic calligraphy close to the aesthetics of French automatic surrealism.

After a few years of practicing this type of surrealism, quite strange in Spain, Togores returned to classicism and a conventional figuration, a bit standardized, but almost always of excellent technical invoice.In his last creative stage, he became interested in religious themes, encouraged by his activities as a restorer of ancient altarpieces.His graphic work destined for bibliophile editions is also of great interest.Since the mid-1940s he presented his works at the Sala Parés and also in galleries and museums in Madrid.It is represented, among others, in the Reina Sofía National Art Center Museum (Madrid) and in the National Art Museum of Catalonia (Barcelona).

Comments

Popular posts from this blog

The Spanish Aid in the Independence of the United States

In the history of Spain, has often forgotten relevant events , perhaps because of that character that we Spaniards have in general, of not knowing or wanting to defend our own history. sinking ships that were not as was the case with The USS Maine , all in the interest of the US in Cuba. the Spanish Republican troops were the first to enter Paris, freeing her from the Nazi invasion, another unknown piece of our history.In this article we will know the importance of Spain in the Independence of the US, c omo Espana I collaborate, because it did. A part of our history that we have titled The Spanish Aid in Independence of the United States. Art Index iculo The Spanish Aid in the Independence of the United States To place ourselves in the historical context, the formation of the United States is mainly due to the so-called group of the Thirteen Colonies . These 13 colonies of British origin, had been founded during the sixteenth and seventeenth centuries, located ...

Jan Hus Biography

Jan Hus (Also called John or John Huss; Husinec, Bohemia, 1369-Constance, 1415) Promoter of the Czech ecclesiastical reform.He was born into a poor peasant family in southwestern Bohemia.However, he managed to study Theology and Arts at the University of Prague and ordained himself a priest (1400).In 1402 he was appointed rector of the University, supported by the Czech particularist sentiment against Germanic domination. Jan Hus Under the influence of the English heretic John Wycliffe, Hus began in 1405 to preach against the excessive wealth of the Church and the immorality of the clergy, demanding a return to the purity of the evangelical message, preaching in the Czech language that the people could understand, and communion under both species.Its influence was increased by the crisis in which the Church of Rome was plunged by the "Schism of the West", as well as by the Czech nationalist reaction against the German minority (started with the struggle for control of ...

Gaspar Gil Polo Biography

Gaspar Gil Polo (Valencia, c .1530-Barcelona, ​​1584) Spanish writer.There is very little news of his life.Part of his fame as a poet is that Cervantes dedicated a royal octave to him in La Galatea (1583) and Juan de Timoneda quotes him in his Sarao de amor (1561).His fundamental work is the Diana in love (1564), continuation of the Diana by Jorge de Montemayor. Illustration of Diana in love , of Gaspar Gil Polo Born into a family of municipal officials in Valencia, Gaspar Gil Polo became a lawyer and held various administrative positions in the city.Felipe II appointed him commissioner in the principality of Catalonia, so in 1580 he moved to Barcelona.He must have been known as a poet among his contemporaries, since Juan de Timoneda quotes him in a romance of 1561, but at present only some of his loose poems are preserved. In 1564 he published in Valencia the five books of Diana in love , a pastoral novel that constitutes a continuation of Jorge de Montemayor's...

Florencio Harmodio Arosemena Biography

Florencio Harmodio Arosemena (Panama City, 1872-New York, 1945) Panamanian politician and engineer.He studied in Germany and directed important public works.A member of the Liberal Party, he was elected president in 1928 and dismissed on January 2, 1931 by the nationalist movement of Patriotic Communal Action, which brought the provisional government of Harmodio Arias to power.

Josef Willem Mengelberg Biography

Josef Willem Mengelberg (Utrecht, 1871-Zuort, 1951) Dutch conductor.He studied in his hometown with Richard Hol, Henri Wilhelm Petri and Anton Averkamp and later moved to Cologne (Germany), in whose conservatory he studied theory and counterpoint with G.Jensen, piano with I.Seiss and organ with F.W.Franke, in addition to directing and composing with Franz Wüllner. He was musical director of the Lucerne Conservatory in 1892 and years later, in 1895, he obtained the position of director of the Amsterdam Concertgebouw Orchestra, a position he held until 1945.He also continued directing the Museum Concerts group in Frankfurt between 1907 and 1920.From 1899 he annually conducted the Amsterdam Toonkunst Choir in its interpretation of the Passion According to Saint Matthew by JS Bach. He also conducted the American National Symphony Orchestra in New York between 1920 and 1929 and was principal conductor of the New York Philharmonic Orchestra from 1921 until he left it due to differen...

Josef Svatopluk Machar Biography

Josef Svatopluk Machar (Kolín, 1864-Prague, 1942) Czech writer.He is one of the main representatives of the realist current in his country.His collections of poems Confiteor (1887) and Magdalena (1894) and the nine volumes of Through the Conscience of the Centuries (1906-1926) stand out.).

Giambattista Tiepolo Biography

Giambattista Tiepolo (Giambattista or Giovanni Battista Tiepolo; Venice, 1696-Madrid, 1770) Italian painter.He studied the works of Sebastiano Ricci, Veronese and Giovanni Battista Piazzetta, and imitated the chromaticism, with its violent chiaroscuro effects, of the latter.In his early ceiling paintings (Archinti and Dugnani palaces in Milan) he reaffirmed his decorative talent, based on architectural perspectives, trompe-l'oeil paintings and moving crowds. His first important work, the decorative cycle of the archiepiscopal palace of Udine (1727-1728), composed of biblical narratives, already denotes in the conformation of the figures (of great naturalism) and in the composition of the same contributions from the artist himself, although certain influences from Sebastiano Ricci and Veronese are still detected. Feast of Antony and Cleopatra (c.1743), by Tiepolo In Milan he worked in the Clerici Palace; in Venice he did it in the Scalzi church and in the Labia palace.The...

Jose Maria Linares Biography

José María Linares (Potosí, 1810-Valparaíso, 1861) Bolivian politician.He was Minister of the Interior and Foreign Affairs (1840-1841).He fought against Belzú, and in 1857 overthrew his successor, becoming president of the Republic.He proclaimed himself dictator (1858) and faced the power of the clergy and the army.In 1861 he was overthrown by three of his collaborators.

Clément Ader Biography

Clément Ader (Muret, 1841-Toulouse, 1925) French aeronautical engineer.Already in his childhood he designed a large kite that could lift adult men off the ground.Ader was inventive, and in his youth he made a velocipede with rubber wheels and a balloon that he built during the Franco-Prussian War and that he gave to the city of Toulouse at the end of the war. In 1876 he left his job at the Administration des Ponts et Chaussées (Ministry of Bridges and Roads), he moved to Paris and devoted himself to communications.In 1880 he collaborated in the installation of the first private telephone line in the city, using components designed by him; one of them was the Théâtrophone , with which you could listen to opera from your own home.All of this brought him great income. Ader observed the flight of numerous species of birds and bats, which he captured and kept in facilities built in his own home.His purpose was to achieve a machine with a lifting force such that it counteracts that o...

Alexandr Izvolski Biography

Alexandr Izvolski (Moscow, 1856-Paris, 1919) Russian politician and diplomat, main architect of the alliance between Russia and England in the years before the First World War. Alexandr Izvolski Educated at the Imperial Lyceum in Saint Petersburg, he soon held important diplomatic posts: he was Russian ambassador to the Vatican, Yugoslavia, Germany, Japan and Denmark.Between 1906 and 1910 he served as Minister of Foreign Affairs; after that he was appointed ambassador to France. In 1907, Izvolski signed a pact that strengthened the alliance between France and England against Germany.Thanks to this pact, the British and the Russians divided Persia, which was divided into three zones of influence: a British, a Russian and a neutral zone between the two (Afghanistan was under the protection of Great Britain).This pact, together with the Franco-Russian alliance of 1890 and the Anglo-French agreement of 1904, formed the embryo of what would later become the Triple Entente. In Oct...