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Agustin Lara Biography

Agustín Lara

(Agustín Lara Aguirre y Pino; Tlacotalpán, México, 1897-Mexico City, 1970) Composer of Mexican melodic song.Due to his self-taught training, his prolific production and his undeniable success, Agustín Lara has been considered on numerous occasions as the Irving Berlin of Mexican song.

Agustín Lara

Known as El Flaco de Oro, there are countless songs composed by this musician who have gained an everlasting fame: Granada (immortalized by the tenor Mario Lanza), the chotis Madrid , Creole Night , La Cumbancha , Noche de ronda , Only once , Palmera or María bonita (written for his wife, actress María Félix) are just some of the most famous.

Adapted to numerous languages ​​and sung in the most different styles, the success of these songs in the Old and New World won their author the highest honors and general recognition.Along with melodic song, Lara also excelled at composing film music; His is, for example, the score for Santa , one of the first sound films made in Mexico.

Throughout his long career as a composer (and also as the author of most of his lyrics), he created beautiful and romantic songs that would achieve universal popularity.Lara's work includes some seven hundred pieces including boleros, pasodobles, ballads, tangos, parades and melodies, which could be framed within the tropical genre; He was also the author of the extraordinary operetta The Golden Bird (1946).Among his best-known songs, the most outstanding, along with those already mentioned, Lamento jarocho , Woman , Veracruz , Azul , Rival and Rip my life out ; titles all of them endearing that have withstood the passage of time to become traditional songs.

With openly erotic themes, an assimilation of all the current musical currents and disconcerting modernist images, Agustín Lara endowed the romantic song with a sensitivity in keeping with the urban environment of the thirties and forties.The lyrics of some songs stemming from their inspiration ( Lady temptation , I love you , Every night a love or Smoke in the eyes ) scandalized public opinion, to the point that their pieces were banned from schools.Questioned and considered by his detractors "the gravedigger of the Mexican song", Lara was a pioneer in the optimal use of all the means of diffusion: magazine theater, records and radio.

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